Having trouble selecting a microphone? I’m no expert, but here are some basic things to know about mics before deciding which mic is right for you.
First, which type of mic to select? Dynamic or condenser?
If you’re new to recording, there is a distinct difference between the two. Most studios will be using condenser microphones because they tend to have a louder output and have a greater frequency response. Good condenser mics provide a great sound, great low end and will usually have a very clear pick-up. Using a pop filter is necessary because you’ll notice that P’s and Sh’s will distort. They are very sensitive, and keep in mind the cheaper the microphone the lower the quality of the recording. There are good microphones out there that are cost effective but good, you’ll just need to do some research to find them. Also know that condenser microphones require 48V phantom power. This is required because condenser mics have capacitors that need power in order for them to operate.
Dynamic Microphones are usually the choice for live performing. They tend to be more heavy duty and can withstand moisture and damage. You’ll see alot of rock bands using these microphones because of their ability to withstand a beating a still work perfectly. As far as in studio recording goes, these are not as ideal as a condenser mic but they are less sensitive, which helps if you are recording out in the open or have a lot of background noise. Dynamic mics tend to be directional, which just simply means it will only pick up sound in the direction the mic is facing. As a comparison, condensers can pick up the sound of you putting your hands in your pockets. Don’t think that makes a sound? Trust me, I’ve ruined a few recordings that way. Dynamic mics have a lower frequency response, which also help keep loud recordings or performances from peaking.
Now-a-days, companies are starting to combine features of each to cater towards h0me recording or the low budget recorder. For instance, Shure makes the SM7B which is a large diapraghm dynamic mic. It has a great low end and has the ability to record out the in open with out picking up background noises. This will run you about $350. If you’re on a budget, you can’t beat an SM58 or even a SM57, which is used more for instruments and amps but can be used for vocals also. Those run about $100. You don’t wanna go cheaper than that.
If you’re looking for a moderately priced condenser, The Rode NT1 series is good as well as AKG’s C series (2000B & 4000B). If you’re looking to go a little cheaper, the MXL 990 is pretty decently priced at $99. Just make sure you have some type of Phantom Power for this mic. You can find a 48V Phantom power device on amazon or ebay, but you’ll also find that most mixers and interfaces have built in 48V power too.
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